Summer Events

South Carolina Black Festivals/Events

South Carolina SC African American History, Resources

• Gullah Festival - Beaufort
• MOJA Arts Festival - Charleston - African-American and Caribbean art and culture
• Native Islander Gullah Celebration - Hilton Head Island

SC Gullah Heritage, Language

• Gullah Creole Language
• Gullah Dialect and Sea Island Culture
• Gullah Dictionary
• A little lesson in Gullah - Gullah phrases
• Gullah Prayers

SC Black Music, Dance

• Jenkins' Orphanage Bands
  –  History of the Jenkins Orphanage Band
  –  Charleston Jazz Initiative of Avery
• Dance
• South Carolina Gospel Quartets

SC Black Art, Crafts

• Folk art of the Lowcountry
• Lifestyle of the Mende People of South Carolina - African traditions and crafts retained in Gullah cluture
• From Africa to South Carolina: the Sea Grass Basket Tradition

SC Black Churches, cemeteries

• Historically black churches
• Graveyards, cemeteries - also includes information about burial traditions, fellowship societies, and current preservation efforts

SC Black Food

• Benne wafers, cakes, candy - West African origin ... plus recipe!

More West African Tradition

• Transatlantic Linkage: The Gullah/Geechee-Sierra Leone Connection

National Heritage Corridor Trails

• Introduction - overview of the trail program as well as the cultural influences and achievements of African-Americans in the SC lowcountry
  – Coastal Trail - highlights the heritage of slaves and freedmen along SC's coast - begins in McClellanville and ends on Edisto Island
  – Folkways and Communities Trail - explores the inland rural and urban communities of Colleton, Dorchester, and Charleston counties
  

This is a good time to take a second look at the South. Most Black folks in this country have southern roots. So while we acknowledge the demise of our communities, why not introduce our children to their American roots. This country seems obsessed with the good old days. Well even during Jim Crow black folks had some good times. Strong communities and a much more viable economic situation as a result of segregation.

This Red Dirt Country Woman enjoys time spent in Oklahoma. Crossing over the Cimarron River where my mother was baptized, traveling down dirt back roads to visit kinfolks that have owned their land for over 80 years.
It will always be home.



Thanks for using SCIWAY's
SC African American Culture, Heritage guide!

"I Am Sapelo"

By Cornelia Walker Bailey

Sapelo Island, Georgia

If you haven't had the pleasure of traveling to Sapelo Island off the coast of Georgia you have missed out on a real adventure. For over 200 years enslaved Africans toiled in the rice patties, the remaining descendants still live very much as their fore fathers did. Below is an exsert from a book written by one of the residents, Mr. Cornelia Walker Bailey.

I am here to represent Sapelo Island, a little hammock on the Georgia Coast. It's a dying form of life we have here. In some ways I relish the new way while at the same time I feel such a heavy loss for the vanishing of the old ways. Life on Sapelo goes on much as it does anywhere else, but if you get to really see and feel what's here, you will see the difference. The proud faces as well as the angry walk, the easy smile as well as the hard frown, the easy life as well as the hardship, it's all there reflected in the faces and stature of each individual. The old who don't want to change and the young who does. But get to know the young ones and you will see tradition and hear pride. We are all proud of our heritage. I can still see the ladies at such places as Raccoon Bluff fishing with a drop line and cane pole from a batteau boat, while trusting in the Lord because they couldn't swim; the men fishing at night with flambeau, looking for alligators with a long pole & giant hook. I remember the call of my Grandmother as she called my sister from King Savannah; the smell and sweat of the men as they walked behind oxen, horses and mules plowing task after task of fields; the Friday night hot suppers with music and food and dances like the Buzzard Lope. I can drive a horse and wagon as well as a car, I can use a garden hoe as well as a tiller and I can cook better on a wood stove than an electric one. Modern is good but old fashioned ways and ideas have built many a strong foundation for our young people of Sapelo, their lives are rich. CORNELIA & VIOLA JOHNSON B. J. CONFECTIONARY    We don't want to lose the meaning of what a lot of gnats mean, how fresh-dug sweet potatoes taste cooked in hot ashes. I am Sapelo and all the hundreds of others who are descendants; we who remain here is Sapelo. We are one, bound by the spirit of an island and Bulallah the slave. Bound by high tide, fields, gossips, smoke mullet, and our faith. And I musn't forget we are all surrounded by big water and have to be close to each other, real close! The things we used to do! I remember as a kid sitting in the corner and watching Papa and his friends dance the Buzzard Lope. They all got together on Friday and Saturday night with their moonshine. They were blowing the comb, some playing the guitar, some doing the soft shoe, the tap dance, and one trying to outdo the other in dancing. We didn't join in but it was fun watching them. Even if Papa used to come home late at night some of these fellows would follow him back home and we'd get up out of bed just to watch them. Get up and sit in a corner someplace and watch them do their thing until they'd fall asleep or leave and go back home. And so we'd learn from all that. The next day we'd be trying to blow the comb, we'd get outside and try our best to imitate that comb! Mama would talk about Grandpa Bryan. He was a mysterious fellow, being one half Creek and one half African and they say he came from the Okefenokee Swamp. He'd sell Blair Products and he would measure men for suits and shoes and actually cut their hair with a bowl! I remember as if it were yesterday. He used to cut Mr. Allan Walker's hair. He would go in the kitchen and get him a bowl. Well, he'd sit it up there on Mr. Allan Walker's head and he would clip all around it and then he'd take the bowl off he'd trim it down a little bit more, and his neck would have a perfectly straight line! THE CHURCH AT RACCOON BLUFF BY ERNEST BUTTS, JR. Mr. Walker would get up in church on Sunday and these kids would be so tickled. He'd just had his hair cut with the bowl. He's get up (he was a very proper old man) and he's say, "My fellow constituents..." - what the heck is constituents? When you're little - six and seven years old - matter of fact the majority of the church didn't know what constituents mean. You're talking to people who never went to school or went as far as the third grade and I don't think they used the word constituents in the third grade! Even back then when lessons were harder. The songs we used to sing in church we've been singing for years and years. Nobody really goes to the hymnbook, they sing from memory. When Grandma would sing, she had a captivated audience. She's sing "When I get To Heaven" and "The Things I Used To Do". That was when I was little. I haven't heard Mama sing in years but she used to sing with Grandma. Though Grandma would be tipsy, Mama never drink but she'd sing with her anyhow.
-FRANK'S SMOKED MULLET-	Papa would sing once in a while around the house but he wasn't much on singing. He's just sit down and tell us stories and build his homemade nets and fox traps and cook hominy grits for us. That was his treat, cooking hominy grits for us. Papa provided for us the best he could. We had alligator dishes along with pork greens. We had game birds and shore birds - wild turkey and gannet. We had fish of all kinds, we had turtle of all kinds. We had deer, squirrel, rabbit, raccoon, and possum. Some only in season, some by means of poaching. Sometimes nothing at all. Papa showed us how to take the bladder from a fresh-killed hog and make a balloon out of it by rolling it in warm ashes until it was thin, and then blowing it up - our first balloon! Or how to make a whistle from a spent shell. Or whittling a toy for us to play with. Or bringing home a pocketful of kumquats from around the Reynolds' mansion.
REYNOLDS MANSION SOUTH END First, Sapelo was described as a haven for slaves, then a paradise for the Black families that lives here. Where is the paradise on Sapelo? Where? Maybe for those who don't have to live here they can see paradise, we can't. Our schools are all close down, our former communities are gone. Our churches have only a handful of worshippers left. Our organizations such as the Farmers Alliance, Masonic, Eastern Stars are gone. Why? Because the people are all gone. Sunday nights, Tuesday nights and Thursday nights were prayer meeting nights at the local prayer houses. There are no more prayer houses. No more hot supper nights where the boys and girls meet, there are no more boys and girls to giggle in the dark under the stars, with a chorus of frogs and crickets for company. Even our ghosts don't walk anymore. There are no one for them to scare now, no one walks the road at night, no jack o'lantern to lead the weak-minded or drunk-minded away to some dark woods for a night of fright. Nothing is left, but then again we who remain is here still. We still drink, love, hate, and remember we are still living for our ancestors. My eyes water, my mind race and I get sad and angry. There are no more sawmills, no more cowboys, no one to tap the graceful pine trees - no more cotton, no more old-fashion anything. No more midnight fishing or alligator hunting with a long pole. SAPELO ISLAND CULTURE DAY FARMERS ALLIANCE BUILDING But once reminded, we can remember the rest. For in many ways we are still living in the days of the Buckra house and the Buckra fields. I am still in Massa fields. I can see and hear traces of the old days but there in those fields I can also retain my dignity and be myself without undo influences. It's not easy, but I watch the birds and my mind is free, even if the rest of me have committances.